[Probably Spoilers in this. So yeah,
avoid if you don't like them.]
As far back as I can remember, when it
comes to femme characters, I always enjoyed the villains more. They
had style and flair and a joie de vivre most often absent from other
characters. If said production involved singing, they often had the
funnest song. They usually had the most iconic costume. Were their
motivations stupid? Often. But that was beside the point. Did they
get punished? Oh. Almost always, but as Kiki Rockwell said in “Same
Old Energy,” 'No matter what the good you did, you'll wind up at
the stake.'
As I got older, this enjoyment
expanded. Phyllis Dietrichson. Norma Desmond. Martha from “Who's
Afraid of Virginia Woolf?” pausing mid-stagger to announce herself
a goddess. Amy Dunne.Villanelle. All those soap opera antagonists who
married like 15 times. Maeve singing “20 Men from Dublin Town” as
they lead her away in handcuffs. Cersei Lannister avenging herself on
an entire religion by blowing up their holy temple.
As far as I am concerned, the rest of
GoT doesn't exist. The show ended right then. Done. Won.
What the characters I love have in
common, more than anything else, is audacity. They have the damned
nerve to dress how they want, say what they want, do what they want,
love (or not) who they want, do the damage they wish to do, and live
as they wish . . . or fight as hard as they can to make that happen.
Do they get punished for this? OH. Almost always. But for a while
there, it was fun as hell.
Why is this the case for me? I mean,
I'm Gen X. These are closer to the perspectives of the women I grew
up around. This is Joan Jett singing “Bad Reputation,” Romeo Void
singing “Never Say Never,” and the women who would smirk as they
tilted their left legs just a little bit more to the left as the
street preacher leaned on the fence and yelled at them for sunbathing
in their own backyards.
Which is to say, I am so frustrated
with the writing of House of the Dragon, specifically with the
writing of Rhaenyra Targaryen. Not with the actor who plays the
character, but with the writing.
Rhaenyra Targaryen is the only child
of the king. That alone should have fused with her spine in such a
way that anything she did, she did with confidence and zero
apologies. She is also Blood of the Dragon, in a very real way, as
she has a connection to a literal massive killy fire creature that
can do massive damage. Her family keeps to their old traditions,
clearly, meaning she should not be all that affected by the
social-shame-conformity cycles that are inflicted on the general
population. I mean, even with the characters who did grow up in that,
we're seeing more audacity from some of them than we are from her.
Beyond that, this is not a child. This
is a woman in her 30s. There is no reason for her to be this unsure
about things, this incapable. In this time, as she knew she would
have to fight to become queen, she would have established her own spy
network, recruited her own propaganda expert, gotten three or four
GOOD assassins who knew how to make things happen in such a way that
no one even knew it as an assassination, had either alliances and/or
blackmail on every lord in the realm, had someone train her to fight,
educated herself about how to rule, and lived her life in such a way
that showed she was above being questioned.
As for those questions.
Random lord: Who fathered that kid?
Rhaenyra Targaryen: Doesn't matter.
Random lord: Fathers--
Rhaenyra Targaryen: Yeah, okay, Lord
Rando, you point out the family that has more status than mine.
Random lord: Uhhh.
Rhaenyra Targaryen: Exactly. My status.
My last name. My bloodline. The baby came from my body. Legitimacy
comes through me. Now shut up.
Other lord: Who is that man over there?
Rhaenyra Targaryen: My husband.
Other lord: No, that man there is your
husband.
Rhaenyra Targaryen: I'm a Targaryen. If
I want more than one husband, I have more than one husband. Now shut
up, or I'll take your daddy as my third husband. Then I'll be your
nightmare stepmama. And from my experience, that means I plot against
you and have children to try and take your inheritance.
Eventually, they would have shut up.
People can't use something against you if you own it.
Sigh.
Instead, we get an indecisive,
whinging, more or less frozen, cringing, shamed, and more or less
useless version of her. It's unworthy of the character. It's unworthy
of the actor who plays her. And it's very annoying for the audience.
Okay, look, I'm going to talk about
her death now, but if you watched GoT, you already heard how she
dies, so this is not a spoiler.
My guess is that when they execute
Rheanyra, she will be simpering and blubbering and broken. She may
beg. She may try to make peace. Or, you know, maybe she will be
defeated and just, as usual, do nothing. It will feel hollow and
meaningless.
And that sucks.
Because Rhaenyra Targaryen's death
should be epic, she should march to the dragon with an arm full of
minitarts, popping them in her mouth as quickly as she can. As she
eats, she should be singing a song in High Valyrian and dancing. Her
hair should be down. She should wear her most iconic outfit. As Aegon
makes whatever speech we know he's gonna make, she should just stare
him down and continue to pop sweets into her mouth, then give him
whatever gesture passes for flipping someone off in Valyrian, give
last-minute instructions to her son, and start singing again.
This isn't just satisfying for the
character, it's also satisfying for the audience. It isn't rocks
falling on your head when you could have moved a foot to the left and
not been hit by rocks..........wait, that didn't happen. That season
of GoT doesn't exist to me.
Lately there seems to be this tendency
to make characters relatable and more like real people. But what are
we saying is relatable here? Crying? Disorganization? Failure to
plan? Insecurity?
I mean, okay, probably sure that's
most people, but is that entertaining?
Characters should be entertaining,
distracting, and iconic. I want people who know the rules enough to
break the rules. I want people who dig their fingers as deeply into
whatever advantages they have and use them as much as they possibly
can. I want characters who refuse to be shamed, who create spectacle,
who dance as they set the world on fire because they know it's only
going to burn them.
I don't know. Maybe the showrunners
felt that if they made Rhaenyra Targaryen like this, she'd be less
hated by the audience. They should have realized that any femme
character is always going to have a level of haters. That's the
nature of it. There is, however, a deep and profound freedom in that.
When you walk in with disapproval, you're not having to maintain
anything. People will change their minds when they see your
qualities... or they never would have accepted you in the first
place. With the first group, it's a matter of their own personal
growth. With the second group? They honestly don't matter. You might
as well just find their pearl-clutching amusing as you tilt your left
leg farther to the left.